
MUSICIANSHIP TEST MATERIAL
WRITTEN AND AURAL
INTERMEDIATE C TEST
(Each level will include all the information on
previous levels)
I. NOTE NAME IDENTIFICATION
Pitches involving a maximum of three ledger lines between treble
staff and bass staff and four ledger lines above or below the grand staff.
II. NOTE AND REST VALUES
III. TIME SIGNATURES
2 3 ¢
2 2
IV. INTERVALS
- Identify all major and minor 2nds and 3rds.
- Identify major and minor 6ths and 7ths above C, G, D, F, B flat.
V. TERMS
| animato |
sempre |
presto |
| leading tone |
leggiero |
dissonance |
| sostenuto |
chamber music |
simile |
| piano trio |
|
|
VI. CHORDS
Identify or write major and minor triads in root position.
Identify or write a complete V7 (in root position).
Identify or write root position triads as they function in a major key of no more
than 3 sharps or 3 flats.
Identify the above chords appearing as broken chords or chords outlined within a
melody.
PLEASE NOTE: When writing chords, students may be asked to provide key
signatures and/or accidentals as needed.
VII. KEY SIGNATURES
- Identify the key of major and minor musical examples (all examples will end on the tonic
and minor keys will use the raised 7th).
- Write major key signatures through four sharps and four flats.
- Write minor key signatures through two sharps and two flats.
- Write major key signatures through three sharps and three flats.
VIII. FORM
- Sonata-Allegro Form--exposition, development, recapitulation
IX. TRANSPOSITION
Melody beginning on note other than the tonic, in major keys through four sharps and
four flats.
X. STYLE PERIODS
Baroque - 1600-1750
Classic - 1750-1820
Romantic - 1820-1900
Twentieth Century - after 1900
AURAL
-
Identify whether a short performed example is in major or minor key.
- Identify ascending 2nds, 3rds, 4ths, 5ths, 6ths, 7ths and 8ths played above the same
tonic in a major key.
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